The 2010 Academy Awards: High Profiling Twenty Years of Militarized Satanism-Driven Enslaving & Torturous Human Experimentation
and Imprisoning Chinada Incorrigibles
© 2010 Brad Kempo B.A. LL.B.
Barrister & Solicitor
The principal question in light of how much the Chinada High Command boasted about institutionalizing Satanism in the two months leading up to the Oscars was how would Hollywood react. Film production studio executives, directors, producers, stars and promoters began contributing to diplomacy in 2006 and did more and more as the years went by. So after observing the repeated branding of the Winter Games as the Evil-ympics, the question was what would they do to continue advancing democracy, rule of law and human rights north of the 49th Parallel and around the world.
Exactly one week after the Satan-ization of Dogville’s closing ceremony, March 7th, and some seven weeks subsequent to the first evidence the Winter Games were planned by the operators of the triangle of power and wealth to be a platform of devil cult worship, Hollywood formally weighed in on the matter. With a pool of uber-creativity unmatched anywhere in the world, there was much anticipation as to how producers and the heaviest of heavyweights who contributed to designing the premier award show of the season for the film industry would respond.
There was no delay in articulating their trepidations and intentions. As the show began at 5:30 p.m. (PT) the coalition’s in-theatre and at-home audience immediate observed what was going to be the major geo-theme of the 3½ hour broadcast. On each side of the state was a giant prop representing the number of years the Oscars had aired: 82. Lexiconically the digits combined totalled 20 – two decades of enslaving and torturous human experimentation with a military and now confirmed Satanic motivation seeking to employ stealth cognition technologies to achieve global hegemony for what the Custodian Chief’s research project labels the “fiefdom-totalitarian commu-nazi genocidal racism” paradigm of governance.
That was the explicit communiqué. Implicit in the digits were other coalition issues that would not have been present had there been only one prop: the eights individually were China identifiers and combined totalled 16, a compensation ratifier; articulating the PRC’s civil liability to its two-decade victim. And adding an eight to the two 2s comprised a coalition identifier.
What to do with all the Chinada complicit was also articulated. From beginning to end, as has been the case with all the award shows since early 2008, the prison certainty solution was embedded in the stage design and elsewhere.*
* See supplementals 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15
Well before the broadcast the coalition made its intentions known to the always-monitoring malfeasant. The red carpet, this time a two-hour event, was replete with instances of partners employing the gesturing constituent of the lexicon to both interview questions and the content of answers to generate communiqués.
As was the case in years past there were two sources of interviews. ABC, the principal broadcasting host. mobilized its contingent of commentators. And the Thomson family’s CTV got the license to exclusively air the event and award show in Canada. The already proven Chinada complicit co-hosts Ben Mulroney and Tanya Kim were in attendance; and they used their strategic positions to again try and demonstrate the ideology they've been protecting and perpetuating will succeed where the Soviet Union’s imperialism failed. The network's anti-coalition initiatives are documented in The Thomson CTV Network Broadcasts a Satanic Message During the 2010 Academy Awards and Once Again Takes Credit for Enslaving Human Experimentation; and How the Chinada High Command Reacted to the Geo-Politicization of Hollywood’s Premier Award Show.
When ABC began its broadcast of the red carpet, the first interview was instantly geo-politicized. The interviewee, Zac Efron, who’s previous geo-contributions were in the Photographic Diplomacy category, answers the question put to him and as he does so articulates the coalition’s sentiments for the Custodian Chief and agrees with what should happen to the Chinada complicit – engaging in coercive diplomacy by employing the ‘gun to the temple’ Richie-Santelli Maneuver:
Question: Why do you think producers love to have you on stage?
Zac: [R-S M.] Well, I’m good friends with [X].
When the interview’s over and he begins to walk away from the ACB interviewer and towards the next one, CTV’s Ben Mulroney, he adds a Diaz Maneuver. That interview went like this:
Zac: It was a very inspiring year to be in film and such creative* people doing such amazing things [protracted R-S M.] with Avatar and The Hurt Locker, Inglorious Bastards. It’s an amazing year for film and I’m glad to be a part of it.
Not only does he repeat the coercive diplomacy, his publicist [at the asterisk] immediately behind him visually assaults Mulroney and CTV producers – tag-teaming them with lexiconic gestures of her own.
Mariah Carey and her husband Nick Cannon were the next celebrities to employ the lexicon. The former cuts into her husband’s answer to articulate how, from all the evidence of hostility, non-cooperation and disinterest, the Fiefdom treatise audience in Canada just don’t get it – don’t appreciate how tenaciously resolved the coalition is to procure regime change, prosecuting the malfeasant and for the Chinada loyal seize assets and effect employment terminations, appointment revocations and permanent blacklisting.
Question: What about a project with the two of you together?
Nick: That would be amazing. I would think it would have to be a comedy though; ‘cause it would have to be…
Mariah: …people don’t understand it [Branson, Powell, Z-J, B-C, Diaz M.s]…
When Sigorney Weaver begins her interview with CTV, movie mogul Tyler Perry, who’s standing immediately behind her, executes an Erin Maneuver.
To the interviewer’s observation “You worked so hard on the film – it was a labor of love”, she employs a Diaz Maneuver to underscore how much time, effort and resources have gone into diplomacy so far and that what she and others did to advance the coalition agenda is a “labor of love” because they all cherish the lifestyle that comes with democracy and free market capitalism and which is in jeopardy in the event the Chinada High Command is successful in spreading its foul ideology around the world.
Miley Cyrus’ interview confirmed how committed coalition teenagers are to coalition interests and objectives because they are the ones who will inherit the responsibility of dealing with rogue regimes like China and Canada.
CTV: Was [doing a Sex and the City movie cameo] a highlight for you?
Miley: That’s my favorite show [q-Britney M.] So that’s why – you know it’s a favorite dream of mine [Mariah M.].
She too describes her affections for the Custodian Chief and, additionally, empathizes over him losing over twenty years of personal experiences involving relationships. She employs a red flagging quasi-Britney Maneuver – running her fingers across the top of her dress followed by a Mariah Maneuver because together they represent intimacy and pregnancy and thus the isolation-deprivation (love, marriage, family) theme.
Miley's mom also jams CTV's interviewer, producers and the rest of the Chinada malfeasant:
Sarah Jessica Parker and her husband Matthew Brokerick also got interviewed by CTV. SJP’s an early coalition partner, with ‘Sex and the City’ being one of the first American television series to contributor to diplomacy in 2004 along with ‘The West Wing’, ‘Law & Order’ and ‘The Apprentice’. The question was about a recently deceased film writer, and thus the issue of dying was foremost in her geo-mind. The Execution Maneuver to her husband’s “He had a laugh were no sound came out” was apropos because when you’re dead you no longer can make any noises; nor can you advance an agenda that’s inimical to modern western society.
The ABC and CTV interview of George Clooney were both geo-politicized. During the first the superstar took the lead. During the latter his girlfriend did.
Question: Is your heart still [with Haiti]?
George: Yea you know I didn’t start out as a Haiti expert. [protracted Pacino M.] I started out as a telethon expert. But I know how to raise a lot of money quickly.
He was both referring to the coalition’s brain trust and what's documented in The Coalition Heavily Geo-Politicizes the Haiti Telethon to Underscore its Commitment to Fixing Canada’s Dysfunctionalities and Challenging China’s Imperialism and During Canada’s Version of the Haiti Telethon CBC, Asper’s Global TV and Thomson’s CTV Embed the Satanic Symbol to Enthusiastically Corroborate the Evil-ypmics Promo.
Jennifer Lopez found a way to turn her interview with CTV to coalition advantage. The previous week she’d been the host of ‘Saturday Night Live’ and was involved in three geo-politicized comedy sketches: The Coalition Keeps Condemnation for Chinada’s Satanic Cult Worship on the Geo-Political Front Burner: Part V. Here, She's obviously referring to what the Chinada threat represents.
CTV: How are you balancing it all [music, film, family]?
Jennifer: I don’t know. I have a [Eva M.] pain in my neck right now.
Helen Mirren and Christopher Plummer were interviewed together, the latter combining two compensation ratifiers to create a Sorkin China identifier to remind everyone who’s half to blame for the Custodian Chief’s twenty years of living in now confirmed to be an intended hell on Earth:
Question: Can you tell me how you made [working in the film] so much fun?
Christopher: Well, we’re over 14 and you can still have fun over 14; and with this lady there’s no such thing but fun.
Sandra Bullock employed the Beckinsale-Clinton Maneuver - one of several throughout the evening.
Robert Downey Jr. and his wife contributed each in their own way. She chose the prison certainty pattern for her red carpet appearance. He employed the lexicon when interviewed by ABC: “This has been sadly for us [protracted Brooke M.] a year for us where we’ve been busier than usual” – referring to the trepidation and melancholy triggered by Satanic bragging confessions.
The actor’s wife was one of several who chose a geo-politically designed outfit for the red carpet.
Others include actress Zoe Saldana who starred in ‘Avatar’ and Nicole Richie. One of the areas where photographers were positioned to snap pictures of attendees was geo-politicized. Producers arranged a row of yellow flowers along the edge of the red carpet = China.
The first use of the lexicon beyond the stage design was during the acceptance speech for Best Supporting Actor. Producers arranged with Penelope Cruz to wear red so it could be combined with the full yellow gown worn by the female trophy hostess when the recipient from the Nazi film ‘Inglorious Bastards’ took the stage. This drew a parallel between the German and Chinada High Commands and high profiled the ‘Nazi-‘ constituent of fiefdom-totalitarian commu-nazi genocidal racism.*
* Producers at The Golden Globes also geo-politicized reference to the film: The Golden Globes: America’s Entertainment Movers & Shakers Get Diplomatically Coercive Over Discovering Dogville’s Hosting the Evil-ympics
During the presentation of an award by Miley Cyrus and Amanda Seyfried, the latter stated the following, ending it with a Mariah Maneuver: “Let’s just look at how these songs were used, whether sung by real people, animated people or [M.M.] animated real people – stressing the kind of personal life the Custodian Chief will have once geographically emancipated and in possession of his wealth; contrasting it with the sedentary lifestyle and experience void he was forced to endure as part of the human experimentation and predatory nepotism-patronage exclusion regimes.
Cameron Diaz was also a presenter. She executed her namesake gesture when taking the stage:
Throughout the show producers occasionally turned cameras towards the audience to give the at-home crowd close-ups of Hollywood’s elite. One was geo-politicized – Kate Winslet executed a Beckinsale-Clinton Maneuver before the movie preview of one of the ten Best Film nominees, ‘A Serious Man’. That was repeated, the second time involving one of the Cohen brothers, who executed a Brooke Maneuver. The purpose was to underscore how much the coalition is not taking the Chinada threat lightly and is preparing to address it head-on so as to make it Democracy 2, Imperialistic Totalitarianism 0.
Sarah Jessica and fashion designer cum movie producer Tom Ford presented together. He read the script and she geo-politicized it with an Execution Maneuver:
It is the costumer’s attention to the detail that gives us the window into who that character is; and by doing so becomes a critical part [E.M.] of the storytelling.
This drew attention to the central role the Custodian Chief is playing in the coalition; in this context referring to the diary constituent of The Last Democratic Fiefdom. Without it there would be no twenty-year history of what took place that lead to the creation of stealth cognition technologies; there would be no proof of the lengths triangle of power and wealth operators went in preventing upward mobility for those not of their ilk to protect the trans-generational consolidation of political authority and accountability mechanisms that maintain it and Chinese de facto governance and militarization; and there would be no record of the multitudinous steps taken to advance the coalition agenda and documentation of the status quo backlash which sought through threats against one's life, intimidation of all kinds, hypno-torture in its many forms and other strategies to halt what was being done to return Canada to the people.
During the dance performance producers inserted a reference to the coalition’s 2009 Partner of the Year, Taylor Swift. There were two props in each corner of the stage. The one on the audience’s right was shaped as an ‘S’.
The only other time in 3½ hours other than during the commencement of the Oscars producers placed the two large ‘82’ props on stage was between the end of the Best Lead Actor presentation and the beginning of the Best Lead Actress categories. They added it as the show went to commercial and they were still on the set when the program returned.
The purpose was to once again service the Custodian Chief’s supra-celebrity status as someone who survived a two-decade Article 7 violation, helped to bring the malfeasant to justice and completely reform an entire country’s public and private sectors and administration of justice. More importantly, choosing this particular award category reminded everyone opposed to regime change he is the constitutionally and internationally legitimate interim “Best Lead”-er of the country as the Chief Executive of the Custodian-in-Council.
During the speech Oprah gave about one of the female nominees the coalition partner complimented the Custodian Chief. Employing protracted Blair Maneuvers she described him using the following adjective:
You skipped school to audition for a movie called ‘Precious’. […] When we look at you we see a true American Cinderella on the threshold of a brilliant new career. And ‘Precious’ is but the first of many adjectives coming your way. And they are all great.
While that was the end of the geo-politicized portion of the Academy Awards, that wasn’t the last of it in terms of advancing coalition interests and objectives. At one of the many after parties Oscar attendees and other entertainment celebrities appeared in the geo-spotlight. Katy Perry showed up wearing another uber-fashion inspired gown.
And the following day Oprah held her annual Oscar Party in the same theatre as the award show. For the live one-hour broadcast she articulated the China prison certainty communiqué.
